504/GWT

Adonia Bouchehri is an artist working across moving image, performance, digital sculpture, mixed media works on canvas, and installation. Her practice explores how forms shift between virtual and physical states, and how images act upon the body, shaping perception, memory, and affect. Guided by intuition and an interest in conscious states, she works cyclically across mediums—where a digital sculpture might inform a performance, or a performative action leave its trace on canvas—creating spaces where image, object, and imagination continually unfold with one another.

RECENT EXHIBITIONS & FILM FESTIVALS

ICA, LUX, The London Film Festival, VAS/SSA Scottish Royal Academy, Goethe Institute Canada, Videoex,B3 Biennial of the Moving Image,MUTEK  








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ABOUT


Adonia Bouchehri is an artist working across sculpture, installation,performance and video. Selected for the 2020/2021 Flamin Fellowship, her work investigates how the images we live and grow up with affect our bodies. She perceives images as agents that can inhabit the body and structure our feelings and perceptions. 



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The Common Life


I care not so much what I am to others as what I am to myself. I will be rich by myself, and not by borrowing.





The Common Life
Wallace Stevens
 1939

That’s the down-town frieze,
Principally the church steeple,
A black line beside a white line,
And the stack of the electric plant,
A black line drawn on flat air.

It is a morbid light
In which they stand,
Like an electric lamp
On a page of Euclid.

In this light a man is a result,
A demonstration, and a woman,
Without rose and without violet,
The shadows that are absent from Euclid,
Is not a woman for a man.

The paper is whiter
For these black lines.
It glares beneath the webs
Of wire, the designs of ink,
The planes that ought to have genius,
The volumes like marble ruins
Outlined and having alphabetical
Notations and footnotes.
The paper is whiter.
The men have no shadows
And the women have only one side.

© 2345—45/